A book Exploring Kandinsky, Architecture, and Suprematism. Shengyiyu Zhu and Italo Castella in collaboration. Buy paperback at Amazon or hardcover at Lulu
Kandinsky’s work of lines, shapes and colours was chosen as the premise for exploration and translation of art into an architecture language to be used and demonstrated in a dwelling project for a musician. Kandinsky’s very special form of abstraction derived from his understanding of music, free of things of nature and the past, but of things of the abstract which were forms of virtual creation derived from his subjective universe. As paintings should never be a copy of other things, not nature, not human, not everyday things, but of itself.
A two storey house of two geometrical shapes, one stable and another rotated, punctured by an axis from one into another and terminated on the outside with a subtraction in a two-dimensional circle. Planes of different shapes attached themselves to the axis, all miraculously anchors themselves with the line.
Kandinsky’s work of lines, shapes and colours was chosen as the premise for exploration and translation of art into an architecture language to be used and demonstrated in a dwelling project for a musician. Kandinsky’s very special form of abstraction derived from his understanding of music, free of things of nature and the past, but of things of the abstract which were forms of virtual creation derived from his subjective universe. As paintings should never be a copy of other things, not nature, not human, not everyday things, but of itself.
A two storey house of two geometrical shapes, one stable and another rotated, punctured by an axis from one into another and terminated on the outside with a subtraction in a two-dimensional circle. Planes of different shapes attached themselves to the axis, all miraculously anchors themselves with the line.